Still Here

I promise, I still watch TV, but it seems to be concentrated in to the soap hour (two hours?) of early evenings and followed by however many episodes of 'Friends' E4 cares to throw at me.

It's not that I don't want to watch the Great British Food Fight - I did try but I got bored of Heston and all this talk of having good food at 'Little Chef', the whole premise just didn't sit well with me, IT'S A SERVICE STATION. People will stop by when they want food and that is the nearest place...surely?

I watched latest Oz and James scenario, bit of ale, bit of Yorkshire wine, a caravan, complaining, drunken train journeys, all fine.

BUT what has been really great is 'Plus One' that bizarre new comedy about some bloke's ex-girlfriend going out with Duncan from Blue. The best part is that, in the first episode when the dumped bloke was dreaming up a James Bond scenario he referred to Duncan as 'Fromblue' as though it were his last name. That was a wonderful litttle insert.

Generally it's brilliant for it's poor loser generally unheroic hero who gets himself into all sorts of scrapes and situations in order to find himself a date for the big Fromblue wedding. He tries to run a charity race but fails miserably at cheating, getting his shoes stolen and being accused of being a peadophile. Then, after his troubles, he is almost celebrated for raising the most money (the bulk of which he donated himself) and Fromblue goes ahead and trumps him again. Damn you Blue.

It's hilarious and ridiculous in the way the Inbetweeners was only this time it's straight to Friday night Channel 4....nice.

And if that wasn't all, Skins is back! I don't care about the new 90210 because I've got Bristol rich kids whose immorality is never disguised by 'issues', or at least, any issues are easily ignored as we watch SEX, DRUGS, ROCK N ROLL, FIRE, EXPLOSIONS, FRIGHTENED TEACHERS, BEAUTIFUL PEOPLE!! I was a bit wary of leaving the old cast behind, one of them now a Slumdog Millionaire and another probably not, having peaked with 'About a Boy', but the episode was as fast-paced and engaging as ever. Always ridiculous, the assembly scene in school was rather irritating but then I suppose it has to be. Enfield made a good appearance and I hope we see more high-end comedy parents. That's the other trouble with a new cast, you've got to bring in new parents and they've got a lot to compete with. Series 2 really saw them get their screen time, Enfield lead the way for Josie Lawrence and others who I've forgotten but definitely love. Not to mention Danny Dyer beind in series 1, nice one Danny.

I'm a bit miffed as to why the teachers had to change as well and why the hell that woman ever did become a post-16 educator if she's so timid. Pandora is obviously the star, she's kind of like a character Katy Brand might have created, young and loose in a whole other show...you see, I can watch ITV sometimes.

My main love affair has been slightly off-telly though still valid due to the triple bills on Channel 5 over the Christmas period: 30 Rock - I was a bit late with this one, my sister made me watch it on the plane to Japan but I'm glad she did. It's fantastic and though when described is frighteningly derivative of the classic Larry Sanders Show, and yes, there are episodes which draw on similar themes (product placement for one) but it also marks an ode as Rip Torn makes his occasional appearance as the big GE Capital boss.

Alec Baldwin is nothing but genius from start to finish, his 'making-of' info-mercial video being a personal highlight; but even the one-liners - "never go with a hippy to a second location" being my new motto for life. Tin Fey is nothing but wonderful and when I watched 'Mean Girls' recently I got extra excited, which is hard to do when watching 'Mean Girls' because it is cinematic gold.

Tracey is at his best when his entourage are around and Frank definitely gets some of the best lines. His droopy face is enough of a picture though.

In so many ways I simply cannot fault this show, each character so perfectly formed and of course Tin Fey's Liz Lemon does hold it together so well. I love the fact that she's a loser and references Star Wars constantly and eats too much takeaway - in fact - eats too much. She wins as my hero for all the things Jack might want to change about her. I also love their friendship, it's such an endearing and heartfelt one, beneath the comedy I genuinely feel the love....

Oh TV, so good to me.

Plus the new Specsavers advert with the pairs of eyes working out....BRILLIANT!

Pop Politics

When you watch Eastenders have you noticed that if they're watching televsion it is almost always a nature documentary? This was certainly true a few years ago and as far as I can tell it continues this way. The characters of the soap have no interest in anything that is genuinely occuring in the real world, yet, on Monday's episode there was a political undercurrent throughout the episode.

This Monday the Queen Vic re-opened after a (so-called) refurbishment and with it was required to remove it's ashtrays and disallow indoor smoking. Obviously, it makes sense to make a point of it, as though it were reality, as though the Queen Vic had to suffer as all pubs in England have. But bizarrely, it seemed to take up the entire episode and episodes which followed, Dot's frustration, the lack of customers, and Pat's little private book club cum illegal bar where smoking is permitted.

I, unfortunately, have not watched any other English soap opera to notice a difference, I caught a few episodes of Hollyoaks this week but not attentively and usually I sat down in the middle of it feeling pretty knackered after work. However, considering all the goings on I wonder if it was something merely mentioned in passing. I can't say I've really noticed any smokers in Hollyoaks, it seems as though they're all too beautiful and care far too much for their health, I'm sure avoiding the fags keeps their skin clear and glowing.

Another thing Eastenders slipped in, also on Monday was an extremely fleeting comment on Gordon Brown's replacing of Blair. A brief mid-conversation moment along the lines of: 'we all thought it would improve with Brown'. I found it utterly bizarre, oddly placed and somewhat uncalled for. I need to rfresh myself on any rules the BBC may have on political comment in their programming. I'm not sure what that statement was intended to say or how it was supposed to be recived by the audience. It may have been specifically to demonstrate the programme is occurring in absolute real time, that episode, of that day, is very much that episode of that day. Thus, commenting on an affair as important and as date-specific as that demonstrates the attempted realism of the soap without necessarily making any genuine political comment.

Yet, really, I don't understand why it was necessary and whether subtly it may have been a comment, a quick dig at Blair slipped in, or simply the BBC speaking on behalf of the everyday people, the average individual within the nation that we're happy with Brown, we didn't need an election and we don't care that he was the only person who had been seriously considered for the post. I think it would be absolutely apalling if it was acting as this spokesperson but it's interesting that it was mentioned.

Eastenders has been attacking some slightly diffifcult debates which are very much in tune with current affairs yet I've found their attacks less attacking and much more of a stroke, a flippant and unconsidered gesture which comes to no conclusion and does little to open up any kind of discourse on a subject. Look at their poor attempt at involving an Eastern Europen immigrant recently, a co-worker to Dot, a baby, a difficult situation. She, the caring individual, playing it comfortably on the left. Jim, bowled from the right, angered and apalled and ready to get her deported, back to where she belonged regardless of her suffering, regardless of what broght her to the country. I felt that in the end the story didn't last long enough, it got thrown away and i din't really understand what was done with the woman or her baby, not enough people were involved.

Now, we've got the Polish builders, disliked by many, though a form of amusement for others, I can't figure out what exactly the intention of the writers is. Am I suffering a cynicism that emerges from some sort of insitutionalised racism? Does it make sense to have Polish builders? Maybe we should mix it up a bit, you get all sorts of builders, from all sorts of places, I know, I've been working in an environment with builders for the past week.

It's funny because on the on ehand Eastenders can tackle the issues or simply try and present an accurate reality but equally, such as with the Polish people, it can feel oddly uncomfortable. But maybe it's because in actual fact it's a utopia of majority white, mixed class people living in East London. This is hardly the case, city bankers and market traders do not live on the same square, there is not only a token Asian or Black family, there are many more and they play a bigger role in the community, their culture, if thre is a dominant community, will be hugely influential on the types of shops and trading which exists in the area and I just don't believe Eastenders has any kind of true check on reality. So, I figure that's why I find myself unsure and uncomfortable when they try to pop a few pieces of our lives in, either pretend with your little white fantasy or stir it up as far as your imagination/observations will take you. I really thing the decision ought to be made because these bizarre political infusions are removing us from the real juice, like the family love affair between Stacey and the father/son pair Max and Bradley, oooh...